SELENA GOMEZ PAPARAZZI 2029 MOVIE
Your other big movie this year was Lady Bird. I like that switch it makes, in the book and the film: You’re building towards this love, building towards this romance, and soon enough it’s “How much time do we have left?” The villain in Call Me by Your Name is the tragedy of love-what seems to be part of the deal you sign with someone when you experience an amazing time with them. In a time of such energetic and divisive conflict, here’s a movie that is conflict-less, at least as it relates to situational adversaries, whether it’s a disease like AIDS or family members that are disapproving. It is not a sex film-though there are very well-received sex films-but the lovemaking and the peach scene is in service to the story.
Secondly, these scenes, they’re not exploitative or salacious. Plainly speaking, and just from a visual standpoint, Luca always makes his actors look nice. I don’t know what side of the peach debate that puts me on, but…ĭid knowing what the narrative is trying to achieve help take some of the pressure off the nude scenes? The peach scene really is this idea in the film that everything is of the earth. What made André’s book so powerful and new-to me-was this ambiguity it had to any sort of strict views on sexuality. That scene feels in service of this idea that the narrative isn’t about sexuality-it’s about love as it relates to identity. It’s just thrilling because it’s organic-it feels not like a marketing gimmick but something that people are genuinely curious to see-if they have not already partaken in that wonderfully sensual experience. Have you ever been a part of a moment that “big” before, at least in the way it’s been mythologized?
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